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・ The Rough Guide to the Music of Afghanistan
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・ The Rough Guide to the Music of Central America
・ The Rough Guide to the Music of Cuba (1998 album)
・ The Rough Guide to the Music of Eastern Europe
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・ The Rough Guide to the Music of Ethiopia (2004 album)
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・ The Rough Guide to the Music of India and Pakistan
・ The Rough Guide to the Music of Indonesia
・ The Rough Guide to the Music of Japan (1999 album)
・ The Rough Guide to the Music of Kenya and Tanzania
・ The Rough Guide to the Music of Morocco
・ The Rough Guide to the Music of Morocco (2004 album)
The Rough Guide to the Music of Morocco (2012 album)
・ The Rough Guide to the Music of North Africa
・ The Rough Guide to the Music of Portugal
・ The Rough Guide to the Music of Senegal
・ The Rough Guide to the Music of South Africa (1998 album)
・ The Rough Guide to the Music of the Andes
・ The Rough Guide to the Music of Zimbabwe
・ The Rough Guide to True Crime
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・ The Rough Guide to West African Music
・ The Rough Guide to World Music
・ The Rough Guide to World Roots
・ The Rough House
・ The Rough Kutz
・ The Rough Patch


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The Rough Guide to the Music of Morocco (2012 album) : ウィキペディア英語版
The Rough Guide to the Music of Morocco (2012 album)

''The Rough Guide to the Music of Morocco'' is a world music compilation album originally released in 2012. Part of the World Music Network Rough Guides series, the release contains two discs: an overview of the music of Morocco—featuring such genres as Chaabi and Malhun—is found on Disc One, while Disc Two features the modern rural-urban fusion band Groupe Mazagan. The compilation was curated by Andy Morgan, former manager of Tinariwen and organizer of the Festival in the Desert.〔 〕 Brad Haynes & Rachel Jackson coordinated the project, and Phil Stanton, co-founder of the World Music Network, was the producer.〔(【引用サイトリンク】 About Us - The WMN Story )
It is the second compilation by this name: the first edition, focusing on the same range of music with entirely different artists, was released in 2004.〔
==Critical reception==

The compilation's release was met with positive reviews. Robert Christgau called the record "more aggressive" than the first edition, praising the addition of Moroccan hip hop.〔 We went on to include it in his top albums of 2012.〔 〕 Deanne Sole of PopMatters noted that all performers are men, almost entirely in groups. She did, though, see the appeal of the "bareness" and "forceful exposure" of the tracks.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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